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Welche Folgen im Denken und Handeln zieht das Ereignis nach sich? Wie zeigt sich die veränderte Denkweise im Leben des Helden? Wir beobachten hier die für Dostojewskijs positive Figuren charakteristische Immanentisierung der Transzendenz, die besonders deutlich an Sosima hervortritt.

Die erste Frage betrifft die Motivierung des Ereignisses. Markeis seltsame Worte, die alle verwundem, werden von der Mutter, die über sie auch nur den Kopf schütteln kann, mit seiner Krankheit erklärt.

Aber diese realistische Motivierung erweist sich im Kontext des ganzen Romans als von Dostojewskij I nicht intendiert. Für die Hagiographie sind Bekehrungen und Konversionen konstitutiv.

Die Gesetze der Gattung machen sich natürlich auch in der Motivierung der inneren Umkehr Markeis geltend. Dostojewskij weist durch die hagiographische Einbettung auf einen transzendenten Grund für den tiefgreifenden Wandel seines Helden, ohne dieser Erklärung freilich die Möglichkeit einer realistischen, psychologischen Motivierung zu opfem.

Motivationelle Ambivalenz ist charakteristisch fur die narrative Welt dieses Romans. Markel bereitet sich auf das Abendmahl vor, um, wie er sagt, der Mutter eine Freude zu bereiten und sie zu beruhigen.

Zu dieser Spaltung des abstrakten Autors vgl. In: R. Fieguth Hg. Sonderband 41 , Wien , S. Moskva, Paris ,'S. Ereignishaftigkeit in den..

Brüdern Karamasow 37 und die Liebe zur Mutter erkennbar. Die Stimme des Gewissens und die Liebe erweisen sich auch in andern seeUschen Wandlungen als die auslösenden Beweggründe.

Die zweite Frage bezieht sich darauf, wie und mit welchen Begleiterscheinungen sich das mentale Ereigms realisiert.

In dieser - wiederum für die Hagiographie charaktenstischen - Freude zeichnen sich bereits die ideellen Konturen des ganzen Romans ab: Die Liebe zu den Menschen ist untrennbar mit der.

Markel eriveist sich als das im Epigraph des Romans erwähnte Weizenkom. Antwort auf Hiobs Klage.

Melmehr rühmt sich der Weltenschöpfer seiner demiurgischen Kompetenz und preist die Vollkommenheit seiner Schöpfung, die er.

Nilpferd und Krokodil anschaulich vor Augen fuhrt. Jedes Gräschen jedes Käferchen. Ameise, das goldene Bienchen.

Schau [ Und das Bekenntnis der persönlichen Schuld wird das verbindende Element der den Roman durchziehenden Kette der Konversionen.

Wenden wir uns nun Sosima zu, dem zweiten Glied in der Kette der Konversionen. Die Verwandlung des stolzen und eitlen Offiziers Sinowij vollzieht sich unmittelbar vor einem Duell, das er provoziert hat.

Und er versteht mit einemmal den Grund seiner Bedrücktheit. Es war, als ob eine spitze Nadel mein Herz durchbohrte.

Ich stehe wie von Sinnen da, und die liebe Sonne scheint, die Blättchen an den Bäumen freuen sich und glänzen vom Tau, und die Vögelchen, die Vögelchen preisen Gott Ich bedeckte mein Gesicht mit den Händen, warf mich aufs Bett und brach in Schluchzen aus.

Und da erinnerte ich mich an meinen Bruder Markel und an seine Worte vor seinem Tode" 14, Es handelt sich hier wie bei Markeis Tod um eine Schlüsselstelle des Romans, der die Theodizee über die Kosmodizee betreibt, d.

Brüdern Karamasow" 39 V. Auf dem Totenlager bekennt der geheimnisvolle Besucher, er habe die Tat nicht aus.

VL Auch Iwan ist fähig zur inneren Wandlung. Auch er hört die Stimme des Gewissens und kann sich an der Natur erfreuen. Insofern eröffiiet der beginnende Wahnsinn die Möglichkeit der inneren Umkehr.

Das zweite Motiv, die Freude an der Natur, manifestiert sich, wenn auch nur in der Schwundstufe, in Iwans Bekenntnis vor. Iwans Wandlung ist im Roman freilich erst in ihrem Beginn begriffen, sie scheint möglich zu sein, aber ihre Resultativität bleibt durchaus fraglich.

In der Begegnung Aljoschas mit Gruschenka, im Zusammentreffen der beiden - wie es zunächst den Anschein hat -axiologischen Antagonisten der Romanwelt, vollzieht sich eine zweifache, wechselseitige Verwandlung.

Aus Geltungssucht und Eigenliebe begeht der frühreife Sozialist schlimme Streiche. So spielt er dem schwerkranken Iljuscha übel mit.

Von seinem Gewissen geplagt, versucht er den Schaden wiedergutzumachen und wird in der Folge ein glühender Anhänger Aljoschas. Ereignishaftigkeit in den.

Indem sie Aljoscha, den reinen Jüngling,.. Und indem. Und die rachsüchtige Gruschenka ist bereit ihrem Verderber zu verzeihen, und wird fähig zur selbstlosen Liebe zu Dmitrij und zu einem gemeinsamen Leben mit ihm, wohin ihn auch das Urteil des Gerichts verbannen möge.

Die Buhlerin auf den Weg der Wahrheit geführt? Die sieben Teufel ausgetneben, ja? Diese Formel, auf die sich alle be- rufen. Iwans lakonische Formel:.

Auch in den Übeltaten des Romans beobachten wir hohe Ereignishaftigkeit. Im Unterschied zum atheistischen Smerdja- kow ist sich der zweifelnde und schwankende Theoretiker Iwan der Nicht-Existenz Gottes keineswegs sicher, ja er denkt in seiner Gottesanklage sogar transzendenter als der die Transzendenz in Erscheinungen der Welt suchende Sosima.

Hirdt [Hg. Deshalb sind die Stimme des Gewissens und die Liebe unfehlbare, absolute Wegweiser. Alle Versuche, die Ethik auf irdischen, nicht-religiösen Prinzipien aufzubauen, sind nach der Überzeugung von Dostojewskij I zum Scheitern verurteilt, da der Mensch fur sich ohne Glauben an die Ewigkeit nicht die Kraft zur 18 Brüderlichkeit besitzt.

Auf der andern Seite gibt die maximahstische Ereignishaftigkeit diesem Vermächtnis-Roman unter theologischem Aspekt eine gewisse immanentistische Färbung.

Das klingt nach utopischem Sozialismus. Die Liebe zu Gottes Schöpfimg und der Preis ihrer Schönheit, wie sie vor allem Sosima bekundet, tragen in diesem Roman Züge eines franziskanischen Immanentismus, ja sogar eines die Opposition von Diesseits und Jenseits aufhebenden Pantheismus.

Im neugewonnen Glauben des sterbenden Markel figuriert Gott nicht so sehr als transzendentes Wesen, sondern er existiert im Guten, in der Liebe und in der Schönheit, in denen er sich zeigt.

Wenn das Ereignis allein auf der Grundlage von Gefühl, Intuition, Gewissen und Liebe mögUch ist, so ist die Transzendenz entweder nicht erforderlich oder figuriert lediglich als abstrakter Garant der Richtigkeit dieser Seelenregungen.

Dostojewskij strebte nach dem Gleichgewicht von Religion und Ethik, nach der Kompatibilität der transzendenten und der realistischen Motiviemng.

Dostoevsky Studies, New Series. The great Russian classics entered English literature in her voice and style. Astoundingly productive, she is famous for her translations of Turgenev, Tolstoi.

Gogol and Chekhov. Gamett' s fate is most curiously intertwined. The goal is precision and accuracy, and it is, in terms of Classi- cal rhetoric, a ''logical' standard.

Douglas Robertson, in The Translator's Turn, criticizes this approach as symptomatic of a "logocentric bias" of Western philosophy: In the dominant logical tradition of Western thought it is.

And where structural correspon- dence is king, it IS [ Basic lexical meaning - "informa- tion" - is conveyed across language boundaries, and the work of art loses its fleshy, emotional, spiritual essence.

The human element of the translator is cele- brated, not denied. Logic gives way to rhetoric. Robertson playfully of- fers a set of six turns, or tropes, as the locus of the translator's power: me- tonymy, synecdoche, metaphor, irony, hyperbole, and metalepsis.

Given the overlap of his scheme with Roman Jakobson' s famous di- vision of artistic uses of language mto metaphor and metonymy, it seems particularly worthwhile to focus our attention on these two tropes.

There is a touch of mysticism a la Walter Benjamin in this scheme, but the key is, I think, as in Jakobson' s approach, contiguity or connection.

Contact is never broken. Robertson cites Ceha and Louis Zukofsky's translations of Catullus, which abandon lexical meaning for sound correspondence.

DR A little of this goes a long way, of course, but the point is that the point of contact between languages in this sort of translation is the "sound part," rather than the usual "lexical meaning part.

Robertson offers an example of consecutive oral inter- preting. In Jakobson's terms, the translator's text replaces that of the original author.

The Strange Path of Dostoevsky 's Novels into the English Tradition 47 English voice-over completely replaces that of the original actors As might be expected of a "rhetorical" model for translation, the system can be applied flexibly.

That is, different tropes may be applied to one and the same translation, depending on the observer's angle of vision.

Of course, for most standards of written communica- tion, that is perfectly adequate: the "poinf is conveyed.

It is tempting to tarry here, even to quibble with Robinson about some of the details of his argument.

But, to my mind, his "Tropics of Transla- tion" is the most stimulating and original contribution to translation the- ory in recent years. Furthermore, Robinson's own creativity in applying it gives us license to expand the terms.

The example of the Finnish inter- preter is particularly appealing because it involves an explicit inclusion of the "whole person" in the process of translation, not just the "text.

It is customary to assume "metaphor" in looking at translations. The new text replaces the old.

Of course, in many "target cultures" - English being the most notorious offender - a process of denial takes place.

The text is presented as a new original; the translator is given only the most grudging credit, under the assumption that his or her function is indeed equivalent to that of a lexical processing machine.

She was, of course, bookish, with the thick glasses and indoors constitution of the scholar her health was, in the words of her grandson, "not to depended on.

She was a creature of modest habits; in old age, for example, she "ate little and reduced her needs to a minimum.

At fnst she drank weak China tea with lemon. The tea became weaker and weaker until she omit- ted it altogether. In due course she left out the lemon, and by the end of her hfe she was drinking plain hot water" RG Though of superior I would offer this as one possible answer to the erroneously proclaimed "Death of the Author.

London: Sinclair-Stevenson. She was "no public speaker" 34 , and her superb mastery of the Russian as well as Latin and Greek languages was for the most part limited to its written form.

Her productivity as a translator was astonish- ing. Over the course of some thirty-five years, she produced seventy-two volumes of the greatest Russian books into English.

Her works remain in print one hundred years later. Between and lest we forget, these were years of world war!

Lawrence describes Mrs. Garnett at work, Sitting out in the garden turning out reams of her marvelous translations from the Russian.

She would finish a page, and throw it off on a pile on the floor without looking up, and start a new page. The pile would be this high. At one point, a manuscript with Constance Garnett' s translation of several of Turgenev's Sportsman's Sketches was lost, and she had to retranslate them.

When the lost manuscript surfaced, and she compared the two ver- sions, the two texts were identical. But of course this is only the extemal shell.

Her habitat was the text, and within its bounda- ries, she was a genius. The greatest, and most fluent, swimmer of our time, Michael Phelps, is, writes a recent observer, "no good on land.

He is weirdly hyperflexible, what is sometimes called double-jointed, and therefore not entirely stable [ But in the water So, too, Constance Gamett in the text.

And in spite of her ex- traordinary ability, she was not a machine; she was a human being, and it is the human connections that interest us.

The life of translation begins, of course, with the "death of the author. And then he died. As we know. Two and a half months before, a dangerous terrorist, using the name Alafuzov, had taken up lodging in apartment no.

This was Aleksandr Ivanovich Barannikov, a member of the executive committee of the notorious Narodnaia volia People's Will group.

Barannikov' s life story reads like something in a Dostoevsky novel, complete with a faked suicide, assumed names, narrow escapes, and near misses.

Kravchinskii stabbed Mezentsov, and Barannikov helped him escape after the murder Volgin, On the aftemoon of January 25, , Barannikov's apartment was raided and sealed by the city police.

Both Shklovskii and Volgin speculate that the disturbance may have been a contributing factor in Dostoevsky' s attack that night.

Volgin' s meticulous research re- veals tantalizing hints of a possible closer connection between Dosto- evsky and his neighbor.

Moskva: Sovetskii pisatel. Moscow: Sovetskii pisatel', He embodied them in his art, and he touched them in his life. Constance Gamett had been a classics scholar at Cambridge.

Although she and her husband Edward were interested in Russian literature, neither of them had studied the language, and when she read Turgenev in January of , it was probably in a French translation.

In July of she made an interesting acquaintance: Russian political exile Felix Volkhovskii. Volkhovskii was a real-life martyr to the revolutionary cause, a suspected member of "a secret society" who had endured arrest, six years of solitary confinement in the Peter-Paul Fortress, and eleven years of exile in Sibe- ria, whence he escaped to England via Japan and Vancouver.

All of this, along with his "expressive brown eyes and thick straight falling hair," RG , his prison-induced deafness, and the piquancy of his widower- hood through suicide made him a particularly exotic acquaintance for the modest young Cambridge classics graduate.

And Mrs. Garnett's study of the Russian language began, momentously, when Volkhovskii gave her a grammar book and a dictionary.

Given our present topic, we must also note Volkhovskii' s suspected association with the notorious Sergei Ne- chaev - the prototype for the villainous Petr Verkhovenskii of Dosto- evsky's novel Demons.

Isn't it better to see it as a test case for Dostoevsky's fantastic realism? Life is always stranger than fiction. In the sunnner of , Volkhovskii introduced the Gametts to an- other charismatic and interesting Russian exile.

He was of medium height and burly with very broad shoulders, a dark beard, dark eyes, a big forehead and a broad Russian nose. He was very strong and he had the gentleness, the quietness, which so often goes with great physical strength in men.

He had also great warmth of heart [ RG 81 This man bore the intriguing adopted sumame Stepniak, "man of the steppes. His worst crime, in Mrs.

Garnett's opinion, was his penchant for taking books out of the British Museum during lunchtime. Bernard Shaw also admired his per- sonable and disarming nature: "he betrayed the heart of an affectionate child behind a powerful and very life intellect.

Stepniak and Con- stance Gamett became fast friends, and she began visiting him for weekly The Strange Path of Dostoevsky 's Novels into the English Tradition 51 Russian language lessons.

As you will recall in this crime he had been assisted by. Munir Sendich. On Reading Russian Literature in English. In this case, as so often with things Russian, the rawness and elemental violence of the original - peo- ple and texts - presented an unprecedented challenge to the complacency of the target culture.

Rachel May points out that interest in foreign cul- tures tends to follow political trends. English readers began to read Rus- sian literature after the revolution, and the "Russian craze" 25 coincided with the publication of Constance Gamett's translations of Dostoevsky's novels between and Both sides compromise: Dostoevsky is tamed and toned down, but for their part the English read- ers show a willingness to taste stronger fare than Turgenev who had been until then the most widely translated, accessible, and of course digestible, of Russian authors.

The same can be said of the people. The dangerous criminals who served as a conduit for the entrance of Russian literature into the Enghsh literary tradition were themselves domesticated when they settled there.

They became members of the liberal, educated elite, Russian tutors, men of letters. Stepniak, for example, had a "deep sympathy for the arts and considerable knowledge of music and literature" RG The paths taken by Dostoevsky's works into Enghsh represent a combination of re- bellion and compromise: the existing English was challenged by new forms of expression, rawer themes, and a deeper spiritual engagement than had been seen in secular literature.

At the same time, Gamett's deco- rous style, the reassuringly methodical nature of her work, smoothed the passage of these powerful books into their new home.

The path leads through blood, terror, and revolution, but it is unbroken, and although our subject here has too often been death: the death of the author, the death of the au- thor, this has ultimately been a stoiy of his resurrection through the life- giving work of translation.

Dostoevsky Studies. It's easy to understand why. As to Chekhov, though it can hardly be said that he used his plays to attack capitalism, the official line on him at this time was that he was a "realist.

By the last years of the nineteenth century, he had an international following and was aheady the topic of hundreds of articles in the English-language press in the United States.

The aging, bearded "sage of Yasnaya Poliana" attracted attention because of his pacifiism, no doubt, but even more because of his fi-equent confi-ontations with the Russian autocracy and the Russian Or- thodox Church.

For many years, it had been commonplace in the Ameri- can press to represent Russia as the very embodiment of tyranny and op- pression, so Tolstoy's excommunication in immediately became an intemational news story, as did every occasion on which the Russian writer brought upon himself the disfavor of the tsar.

The Forward re- ported Tolstoy's participation in student and worker demonstrations and the rumored attempt of the authorities to banish him fi-om the country, both in so did The New York Times.

The same paper followed him closely in the early months of , when he was ill again, so did The New York Times.

One can see ads in the Yiddish press for multi- volume editions of Tolstoy's works in Yiddish translation. Arbayter Tsaytung began its serialization on 30 April , and the Forward began its serialization one week later, on 6 May.

References to him, in fact, are rela- tively rare. Translations of Dostoevsky's works into Westem European languages did not pour out of the publishing houses at the same rate as did translations of Tolstoy's works.

When Dostoevsky did find an enthusiastic reception outside his native country, it was often among readers who were caught up in the tum-of-the-century Nietzsche craze and perceived in each man a kindred spirit of the other.

References to Nietzsche in the Yiddish press in the United States are very difficult to fmd till after the first decade of the twentieth century.

No immigrant Jewish intellectual was more committed than Abra- ham Cahan to raising the cultural literacy level of his less educated fellow Yiddish- speaking immigrants.

Cahan, who had arrived in the United States in early , devoted much of his activity over the next four dec- ades to schooling his readers in literature, and he felt particularly strongly the obligation to open the eyes of those readers to the Russian classics.

Like other contributors to the left-wing press, he seems to have been a bit flummoxed by the author of Crime and Punishment.

In an article for Di Arbayter Tsaytung in , Cahan reviewed the short novel Nedda, by the Italian novelist Giovanni Verga , who enjoyed a respectable international reputation at the end of the nineteenth century.

For Cahan, this was a simple exercise in his signature formulaic literary criticism: assess the work's "truthftjlness," determine whether the work offers a blistering critique of capitalism, and then declare that it is or is not a genuine example of realism.

The prosaic title that Cahan chose for this piece, "A Good Novel," announced at the outset that his judgment was favorable.

What struck Cahan particularly about Nedda was the author's gift for specifically psychological description, and in this connection he comments that the true master of this technique is Dostoevsky: "A con- demned man going to the gallows ponders for a second, for example, how the executioner's suit is missing a button.

Lama Strettell London: T. Fisher Unwin, Like any good nineteenth-century Russian progressive. Boudin countered that literature had a duty primarily to in- struct.

Claiming that his opponent's theory would lead to the belief that good literature could be utterly devoid of thoughts.

Boudin cites examples of classic authors from whom, he says, it would be absurd to expect no thoughts. This is the famous article in which the author describes Dostoevsky as morbidly fas- cinated with cruelty and with tormenting people as an end in itself One fmds the words muchitel ' tormentor , muchitel 'nyi tormenting and re- lated verbs on virtually every page, sometimes a half-dozen times.

The author placed the great Russian critic in a dis- tinguished lineage that included Belinsky, Dobrohubov, Chemyshevsky, and Pisarev.

He spoke, as progressives frequently did when praising a Rus- sian literary critic, of Mikhailovsky' s credentials as a pohtical figure, citing, among other virtues, his love for mankind and his role in introducing his fellow Russians to Marxism.

And he spoke of Mikhailovsky' s gifts specifi- cally as a reader, citing his abihty to understand the psychology of the au- thors he studied.

Among these authors is, of course, Dostoevsky. The name 'cruel talent,' which he gave to Dosto- evsky, has become generally accepted.

Syrkin was altemately a Zionist and a "territorialist" that is, one who believed that the Jews should have their own nation but without insisting that the nation necessarily be the an- cestral homeland in Palestine.

The author saves some of his strongest words for Russian writers of the nineteenth century, hsting Gogol, Dostoevsky, and, oddly, Tolstoy who in had expressed his sympathy for the Jews in his What Is a Jew?

In Dostoevsky' s hatred for the Jews, Christian socialism, the Christian socialist religion of love, cries out against the materialist socialism and antihistorical radicalism of the Jews.

But if he had ac- cess to Dostoevsky' s Diary of a Writer, he would have found plenty of evidence to support his claim.

One can certainly debate the assertion that ' N. Ben-Hilel, "Mikhayiovski als kritiker' Mikhailovsky as critic , Forverts. Nachman Syrkin, "Dos idishe problem un di idishe frage," Di Tsukunft.

The quoted material appears on pp. I myself believe the situation is far more complicated than this. In the Diary of a Writer, it's not hard to find statements like this: "If there exists such a pestilence as the kulaks, does it follow from this that Jews are necessary?

We need to restrict both We may and must restrict the rights of the Jews in many cases. Why, why support this Status in statu?

Eighty million [Russians] exist only to support three million Jews. The translator of the version serialized in Abend Blatt was Moyshe Gormidor, signing himself, as he generally did, "M.

Even though Gormidor eventually became a steady contributor to the Yiddish press once he ar- rived in the United States, he was far more at home in Russian than in the primary language of his fellow Jewish immigrants.

In fact, in the United States he led something of a dual joumalistic existence, publishing in both Russian-language and Yiddish periodicals.

Abbreviated hereafter as PSS. Ferbrekhen un shtrof: A groyser psikhologisher roman fun F. Dostoyevski Crime and Punishment: A great psychological novel by F.

Dostoevsky , trans. Baranov, Abend Blatt 25 March-4 October At the same time, they were aware of their readers' backgrounds and were generally willing to address Jewishness if it arose in connection with anti-Semitism.

And finally they considered themselves to be. So what comes to mind are passages having to do with religious belief, Jews, and radical politics.

The narrator makes this notorious remark about the character: "'On his face could be seen that etemal grumbling sorrow that is so sourly imprinted on all faces of the Jewish tribe without exception.

Gormidor leaves the remark largely intact, though he omits the ''without exception. Gormidor does nothing to give his speech any ethnic markers in the short conversation with Svidrigailov.

In the scene where Sonia reads to Raskolnikov fi-om the Gospel. Soma looked at the ground and remained silent. See To the Other Shore, p.

Abend Blatt. Russian ongmal: Dostoevsky. Find me the chapter quickly. The Russian word translated here as oyfshteyung is voskresenie, "resur- rection.

Gormidor's choice of the verbal noun from the ordinary word meaning to stand up oyfshteyn , however, does not necessarily reveal anything.

The true test in this scene would have been Gormidor's handling of the famous words that Martha, Lazarus' s sister, speaks to Jesus in John 1 "I know that he [Lazarus] shall rise again in the resurrection at the last day.

Since Yiddish oyfshteyn and oyfshteyung are virtually the same words, respectively, as the German auferstehen and Auferstehung, it would have been natural to expect Yiddish translators to use this related pair for this passage.

But most Yiddish translations and, believe it or not, there were a number of Yiddish New Testaments of this passage distinguish between the two words.

Of the two most widely dis- tributed, one simply uses a Yiddish spelling of Luther's Auferstehung, and the other uses tkhies hameysim! This edition renders John like this: "Ikh veys az er vet oyfshtehen in der oyfershtehung im letsten tog" emphasis added for the words meaning, respectively, "rise" and "resurrection".

The The Progressive Yiddish Press in America 61 The problem is that we never get to see what Gormidor might have done with Martha's remark, because he omits the entire passage, some thousand words long, in which Sonia reads the Gospel story.

I'll return to this point in a moment. In the scene in which Raskolnikov confesses to Sonia, there are just a couple of phrases that would strike the reader as religious.

The first is Sonia' s injunction to Raskohiikov to proclaim to the world that he has murdered. Gormidor has left this sentence unmolested, but he has Sonia tell Raskolnikov to proclaim not that he has committed murder but that he is "the murderer.

Raskolnikov asks Sonia if what she is saying is that he must turn himself in to the police. In the original, knowing that his question is completely disingenuous, she answers, "Accept suffering and redeem yourself thereby, that's what you need to do.

There's a crime, and then there's punishment - at the hands of the authorities. Where Gormidor obviously felt most strongly the need to protect his readers from Dostoevsky's original was in the epilogue.

Long stretches of text are missing, and others are radically altered. The entire passage in which the narrator recounts Raskolnikov' s trial, for example, is excised.

It's difficult to say whether Gormidor merely wanted to save space here or whether he was trying to protect his readers from confusion most widely available translation of the New Testament into Yiddish came out many years after Gormidor's translation, in It was by Harry Einspruch, a Jewish convert to Christi- anity.

Einspruch renders John like this: ''Ikh veys, az er vet tsurik oyfshteyn bay tkhies-hameysim in dem letstn tog" emphasis added for the words meaning "rise" and "resurrection".

PSS, Abend Blatt, 18 August , p. Raskohiikov has maintained till quite late in the book that he murdered in the spirit of one of his theories, yet in the epi- logue we read that he claims during the judicial proceedings to have committed his crime because of poverty and to have turned himself in out of a genuine desire to repent.

Whatever Gormidor's reasons might have been, the reader doesn't need to spend any time wondering about Raskol- nikov's motivation in this passage.

But one thing is certain, and that is that, with only one or two ex- ceptions, if there was any suggestion of religious doctrine or anything that appeared to defame the Russian revolutionary movement, Gormidor al- tered or deleted it.

The second part of the epilogue contains the story of Raskolnikov's religious renewal and the clearly allegorical nightmare about a dystopia in which radical political ideology has taken possession of the human race.

Here Gormidor was apparently so worried about his readers' sensibilities that he cut and altered more than he left intact.

The religious renewal is reduced to a bare-bones story about Raskolnikov's falling in love with Sonia and feel- ing contrite about the way he has treated her in the past.

Dostoevsky emphasizes the true content of the epilogue by using voskres "he was resurrected" and related words no fewer than six times in the fmal pages of the novel if we include voskresnyi, the adjective for voskresen 'e, "Sunday".

We leam about Raskolnikov's "fiiture resurrec- tion and future new view of life," we learn about his "future, full resurrec- tion into a new life," we leam that "love had resurrected them," we leam that "he had been resurrected," and we leam that Sonia once again reads to Raskolnikov about "the resurrection of Lazams.

Either entire pas- sages were deleted, or Gormidor changed the sense into something safely remote from any association with Christianity.

Even the narrator's rela- tively innocuous remark that Raskohiikov' s food was bad "except on Sundays and holidays" krome voskresnykh i prazdnichnykh dnei gets deleted.

The PSS, , , , , From "On s mucheniem zadaval sebe etot vopros The Progressive Yiddish Press in America 63 transition from "dialectics" to life, the Gospel that lies under Raskol- nikov's pillow, the reading of the story of Lazarus, even the statement that the hero's new life would not be acquired easily - all this is omitted.

To anyone who has read the novel in the original or in a reasonably accurate translation, the results in Gormidor's translation are almost comical.

Take, for example, the passage that follows the moment when Raskolnikov has cast himself at Soma's feet. Here is what Dostoevsky wrote: They wanted to speak but could not.

Tears came to their eyes. Both of them were pale and thin, but in these sickly and pale faces there already shone the davMi of a renewed, future, full resurrection into a new life.

Love had resurrected them: the heart of one contained the infinite sources of life for the heart of the other.

They agreed to wait and be patient. They had seven years left, and till then how much intolerable torture and how much infinite happiness there would be!

But he had been resurrected, and he knew this, completely felt it with his entire re- newed being, while she — she was simply living through his life and his life alone!

Here is what Gormidor does with it: They wanted to speak, but they could not. Both of them were pale and sick, but in these pale and sick faces there shone the morn- ing star of a renewed future, of dead people who had come to life again.

Love had made them alive. The heart of one contained an infinite source of life for the heart of the other. They had seven years left, but he had come to life, and he knew this and felt it with his entire being, and she — she lived only with his life.

He even omits the one exclusively Jewish scriptural allusion in the Epilogue. Dostoevsky had written this: From the distant, opposite bank, a song, barely audible, came across.

There, in the boundless steppe, which was bathed in sunlight, the voirts of nomadic people darkened into barely perceptible spots.

Raskolnikov sat and looked without moving, without tearing himself away. His thoughts drifted into daydreams, into contemplation.

He was not thinking about anything, but a certain anguish was agitating and tormenting him. Here's how Gormidor translated it: "From the other bank a song barely reached him.

Over there is another world altogether, over there it is free, and a certain displeasure agitated and tormented him. Everyone familiar with the novel will re- member what Dostoevsky wrote: That whole day [Sonia] was in a state of agitation, and that night she was taken ill again.

But she was so happy that she was almost afraid of her happiness. Seven years, only seven years! At the beginning of their happiness, at various moments, they had both been ready to regard these seven years as if they had been seven days.

He did not even realize that he would not come into this new life for free, that he would still have to buy it at great cost, to pay for it with some great future deed.

But here a new story is already beginning, the story of the gradual renewal of a man, the story of his gradual rebirth, of the gradual passage from one world into another, of an acquaintance with a new, hitherto completely unknown reality.

This might form the subject of a new story, but our current story is finished. Here a new story could begin, the story of how a man comes to life and is newly created, but this story is ended.

Aus Kosten- und Gewichtsgründen muss hinsichtlich der verstellbaren Stützen ein Kompromiss zwischen der Wirtschaftlichkeit und der Zuverlässigkeit der Anlage getroffen werden.

Wenn beispielsweise der zur Aufgabe des Brechgutes auf den Aufnahmebunker vorgesehene Bagger aufgrund einer Fehlbedienung gegen die mobile Brechanlage schlägt, können dann die extremen dynamischen Kräfte nicht von einer auf übliche Belastungen ausgelegten Hydraulik aufgenommen werden, so dass die Gefahr einer Beschädigung besteht, wobei dann eine aufwendige Reparatur und Wartung notwendig ist.

Der Brechbetrieb ist während einer solchen Instandsetzung auszusetzen, weshalb die gesamte Förderung des zu brechenden Materials unterbrochen werden kann.

Diese muss daher entsprechend aufwändig und stabil dimensioniert sein, was unnötig teuer ist. Aus der DE 2 sind vergleichsweise einfache ausfahrbare Stützen bekannt, welche im Brechbetrieb die wirkenden statischen und dynamischen Kräfte rein mechanisch aufnehmen.

Ein Hydraulikantrieb ist lediglich dazu vorgesehen, die Stützen von einer angehobenen in eine abgesenkte Position zu bewegen. Um dann die in der abgesenkten Position angeordneten Stützen auf einen Untergrund abzusetzen, wird aus Luftreifen des Fahrwerks Luft abgelassen, wodurch der Unterbau mit dem daran starr angeordneten Oberbau gemeinsam abgesenkt wird.

Hinsichtlich der dynamischen Kräfte sind nicht nur die Vibrationen und Erschütterungen durch die Aufgabe und Förderung des Brechgutes, sondern auch Vibrationen und Unwuchten zu berücksichtigen, die auf das Brechen des Materials zurückzuführen sind.

Vor diesem Hintergrund liegt der Erfindung die Aufgabe zugrunde, eine mobile Brechanlage anzugeben, die bei einer möglichst einfachen und leichtgewichtigen, niedrig bauenden Konstruktion eine hohe Zuverlässigkeit aufweist.

Durch die starre, unbewegliche Ausgestaltung der Stützen können diese auf besonders einfache Weise mit einer hohen Stabilität gebildet werden, wobei auf Schwachstellen wie Drehachsen, hydraulische Einrichtungen oder dergleichen verzichtet wird.

Da die Stützen im Brechbetrieb zumindest einen Teil der Gewichtskraft des Oberbaus, des aufgegebenen Brechgutes sowie der dynamischen Kräfte aufnehmen, sind das Fahrwerk und die gesamte Hydraulikeinrichtung Zylinder, Ventile, Leitungen, Verbindungen, Antrieb, Steuereinrichtung etc.

Der Erfindung liegt in diesem Zusammenhang die Erkenntnis zugrunde, dass eine starre Verbindung zwischen dem Oberbau und dem Unterbau im Brechbetrieb zu einer erheblichen Belastung, insbesondere durch dynamische Kräfte führen kann.

Vor diesem Hintergrund erlaubt die mobile Brechanlage, den Oberbau im Brechbetrieb zumindest teilweise oder vorzugsweise vollständig von dem Unterbau zu entkoppeln.

Im Rahmen einer solchen Ausgestaltung können der Oberbau und der Unterbau abgesehen von Versorgungsleitungen oder dergleichen mechanisch völlig voneinander getrennt sein, wobei dann üblicherweise zwischen Oberbau und Unterbau an den entsprechenden Abstützungsstellen ein Spalt gebildet ist.

Alternativ besteht auch die Möglichkeit, die vorzugsweise hydraulische Hubvorrichtung lastfrei zu schalten oder mit einem erheblich geringeren Druck zu versehen.

In beiden Fällen werden die auf den Unterbau wirkenden statischen und dynamischen Belastungen zumindest sehr deutlich verringert.

Die Hubvorrichtung kann an dem Oberbau oder dem Unterbau befestigt werden, wobei die zugeordneten Hubmittel nur an der entsprechenden Seite fest abgestützt sind.

Geeignet sind beispielsweise Hydraulikzylinder, die an dem Oberbau befestigt sind und bei dem Ausfahren auf eine zugeordnete Gegenfläche des Unterbaus drücken.

Auch bei einem solchen Antrieb sind die Antriebsmittel vorzugsweise an dem Oberbau befestigt, weil dort häufig der Anschluss einfacher ist und mehr Bauraum zur Verfügung steht.

Bei einem vollständigen Absenken des Oberbaus lösen sich dann die Druckmittel je nach Anordnung entweder von dem Oberbau oder dem Unterbau, weil diese nicht zur Übertragung einer Zugkraft vorgesehen sind und auch entsprechend nur an einer Seite fest eingespannt sind.

Folglich wird der Unterbau mit dem zumindest einen Fahrwerk während des Brechbetriebs auch nicht von dem Boden abgehoben.

Dabei ist zu berücksichtigen, dass das Fahrwerk ein erhebliches Gewicht aufweist, so dass ein Anheben mit entsprechenden zusätzlichen Belastungen verbunden wäre.

Auch läge keine vollständige Entlastung hinsichtlich dynamischer Kräfte wie Vibrationen vor, wenn das Fahrwerk von der Hubvorrichtung angehoben würde und entsprechend noch mechanisch an den Oberbau gekoppelt wäre.

Dennoch ist im Rahmen der Erfindung als eine der möglichen Ausführungsvarianten vorgesehen, zum Absetzen des Oberbaues auf dem Boden das Fahrwerk mittels der Hubvorrichtung unter Zugkraft abzuheben bzw.

Darüber hinaus kann der Unterbau auch geringfügig verfahren werden, um diesen beispielsweise durch eine leichte Verschiebung unterhalb des Oberbaus aus einem Gefahrenbereich herauszubewegen.

Durch die Beweglichkeit besteht aber das Problem, dass bei dem Betätigen der Hubvorrichtung bei dem Anheben des Oberbaus gegenüber dem Unterbau während des Übergangs von dem Brechbetrieb in den Fahrbetrieb keine exakte Ausrichtung von Oberbau und Unterbau gewährleistet ist.

Neben einander zugeordneten Keilflächen können auch abgeschrägte Lager der Hubmittel, insbesondere Hydraulikzylinder, vorgesehen sein, welche bei einem Anheben eine automatische Zentrierung bewirken.

Diese sind jedoch bevorzugt so ausgebildet, dass diese während des Brechbetriebs keine wesentlichen Kräfte von dem Oberbau auf den Unterbau übertragen.

Alternativ sind auch zwei Radreihen einsetzbar. Gegenüber mehreren Fahrwerken mit jeweils nur einer Antriebsreihe oder einem Fahrwerk mit mehr als drei Antriebsreihen, die im Rahmen der Erfindung grundsätzlich als Alternative eingesetzt werden können, zeichnet sich ein Fahrwerk mit genau zwei Antriebsreihen durch eine sehr gute Manövrierbarkeit und Wendigkeit aus.

Das Fahrwerk kann mit seinen vorzugsweise zwei Antriebsreihen, insbesondere Raupenketten, längs oder quer zu der Transportrichtung des Brechgutes angeordnet sein.

Hinsichtlich der Belastungen der mobilen Brechanlage durch die besonders kritischen dynamischen Kräfte ist auch die konkrete Ausgestaltung der Brechanlage von Bedeutung.

Die mobile Brechanlage kann entsprechend auch ohne Weiteres mit einem Backenbrecher versehen werden, der durch seinen Antrieb erhebliche Unwuchtkräfte erzeugt, die als dynamische Kräfte in den Oberbau eingeleitet werden.

Die Stützen können insbesondere nach Art eines Pontons als Stahlbaustruktur ausgebildet sein.

Als weiterer Vorteil ergibt sich, dass die Höhe der mobilen Brechanlage reduziert werden kann, weil die Stützen nicht mit einer Verstellmimik oder dergleichen ausgerüstet werden müssen.

Zur weiteren Ausgestaltung der mobilen Brechanlage gehört üblicherweise eine Abwurffördereinrichtung mit zumindest einem Abwurfausleger, der als Bandförderer ausgebildet sein kann.

Der Abwurfausleger kann entweder direkt unter den Brecher und eine optional dem Brecher vorgeschaltete Absiebeinrichtung geführt sein.

Alternativ kann unter dem Brecher und der diesem optional vorgeschalteten Absiebeinrichtung auch ein zusätzliches Abzugsband vorgesehen sein, welches dem Abwurfausleger vorgelagert ist.

Unabhängig von der optionalen Vorschaltung eines Abzugsbandes ist es von Vorteil, wenn der Abwurfausleger auch in vertikaler Richtung geschwenkt werden kann, um die Abwurfhöhe einzustellen.

Um das in dem Aufnahmebunker gesammelte Brechgut dem Brecher zuzuführen, ist üblicherweise eine Transporteinrichtung in Form eines Förder-Plattenbandes oder dergleichen vorgesehen.

Hierzu kann aber auch eine Aneinanderreihung von gleichsinnig drehenden Transport- oder Siebwalzen dienen, unterhalb derer hier bereits abgesiebtes feinkörniges Material mittels dem erwähnten zusätzlichen Abzugsband unmittelbar dem Abwurfausleger zugeführt wird.

Dabei ist zu berücksichtigen, dass ein solcher Hydraulikbagger durch seinen Baggerarm und seinen Vorantrieb einen gewissen Einsatzradius aufweist, so dass ein ständiges Nachführen der mobilen Brechanlage nicht notwendig ist.

Des Weiteren kann die mobile Brechanlage auch besonders leicht zu einem anderen Einsatzort bewegt werden, wobei dann der Oberbau durch die bevorzugt hydraulische Hubeinrichtung in dem Fahrbetrieb sicher auf dem Unterbau abgestützt ist.

Die Erfindung wird im Folgenden anhand einer lediglich ein Ausführungsbeispiel darstellenden Zeichnung erläutert.

Es zeigen:. The product also comply with the following standards EPEAT system helps purchasers in the public and private sectors evaluate, compare and select desktop computers, notebooks and monitors based on their environmental attributes.

EPEAT also provides a clear and consistent set of performance criteria for the design of products, and provides an opportunity for manufacturers to secure market recognition for efforts to reduce the environmental impact of its products.

Note We recommend you switch off the monitor when it is not in use for a long time. These limits are designed to provide reasonable protection against harmful interference in a residential installation.

This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications.

Operation is subject to the following two conditions: 1 this device may not cause harmful interference, and 2 this device must accept any interference received, including interference that may cause undesired operation.

However, there is no guarantee that interference will not occur in a particular installation.

The equipment should draw power from a socket with an attached protection circuit a three-prong socket.

All equipment that works together computer, monitor, printer, and so on should have the same power supply source.

To completely switch off the equipment, the power supply cable must be removed from the power supply socket, which should be located near the equipment and easily accessible.

Customer care and warranty black pixel. Other combinations of lit and dark sub pixels appear as single pixels of other colors. Customer care and warranty Types of Pixel Defects Pixel and sub pixel defects appear on the screen in different ways.

There are two categories of pixel defects and several types of sub pixel defects within each category.

We use some of the industry's most advanced manufacturing processes and practice stringent quality control.

No manufacturer can guarantee that all panels will be free from pixel defects, but Philips guarantees that any monitor with an unacceptable number of defects will be repaired or replaced under warranty.

In order to qualify for repair or replacement under warranty, the number of pixel defects on a TFT Monitor panel must exceed these acceptable levels.

For example, no more than 0. Furthermore, Philips sets even higher quality standards for certain types or combinations of pixel defects that are more noticeable than others.

This policy is valid worldwide. Bright Dot Defects Bright dot defects appear as pixels or sub pixels that are always lit or 'on'.

That is, a bright dot is a sub-pixel that stands out on the screen when the monitor displays a dark pattern. There are the types of bright dot defects.

One lit red, green or blue sub pixel. Many pixels together form an image. When all sub pixels of a pixel are lit, the three colored sub pixels together appear as a single white pixel.

When all are dark, the three colored sub pixels together appear as a single Three adjacent lit sub pixels one white pixel. Customer care and warranty Proximity of Pixel Defects Note A red or blue bright dot must be more than 50 percent brighter than neighboring dots while a green bright dot is 30 percent brighter than neighboring dots.

Black Dot Defects Black dot defects appear as pixels or sub pixels that are always dark or 'off'.

That is, a dark dot is a sub-pixel that stands out on the screen when the monitor displays a light pattern. These are the types of black dot defects.

This monitor is ISO compliant. Class-I compliant. ISO Ergonomic requirement,analysis and compliance test methods for electronic visual displays 3.

You may also contact your local Philips Customer Care Center number listed below. If the problem still persists after you have tried these solutions, contact Philips customer service representative.

Imaging Problems Image is not centered First, ensure that the power button on the front of the monitor is in the OFF position, then press it to the ON position.

It is valid only in VGA mode. If yes, repair or replace the cable. Also refer to the Quick Start Guide. For further assistance, refer to the Consumer Information Centers list and contact Philips customer service representative.

An "after-image", "burn-in" or "ghost image" remains after the power has been turned off. In most cases, the "burned in" or "after-imaging" or "ghost imaging" will disappear gradually over a period of time after the power has been switched off.

Otherwise, you will need to remove and re-install SmartControl Premium to ensure proper driver is installed. Always activate a periodic screen refresh application if your LCD monitor will display unchanging static content.

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How can I do? Monitor drivers. With settings in the K range the panel appears "warm, with a red-white color tone", while a K temperature yields "cool, bluewhite toning".

Q6: Is the LCD screen resistant to scratches? When handling the monitor, make sure that there is no pressure or force applied to the panel surface side.

This may affect your warranty conditions. Note A measurement of the color of light radiated by an object while it is being heated.

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